Elvis, his millions and the fraught multi-generational battle for his estate
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Conspiracy theorists will tell you Elvis Presley never really died in the late 1970s – and point to countless “sightings” around the world since then to prove The King still walks among us.
And now they’re almost right, as the Elvis Evolution, an “immersive concert experience”, is set to come to London this November. It promises to use hologram technology and AI to go through thousands of photos and home-video footage of Presley and create a live event to rival his iconic Las Vegas residencies. Shows are also planned in Las Vegas, Tokyo and Berlin.
A deal was struck between Authentic Brands Group, the owners of the Elvis Presley estate, and Layered Reality, a British immersive entertainment company, to set up the show.
Presley is big money: according to Forbes last year, he was the fourth largest revenue earner in a list of dead celebrities, behind JRR Tolkien, Kobe Bryant and David Bowie. But who really owns the Elvis brand, and who are the people behind it?
Colonel Tom Parker
Elvis didn’t leave as much money as he might have in his will – famously due to his tough manager Colonel Tom Parker, whose contract gave Parker 50 per cent of Elvis’s concert and record income, and forced the singer to make a series of films against his wishes. Luhrmann’s recent Elvis biopic had the Colonel played by Tom Hanks.
In 1973, Parker signed a brutal deal with the record label RCA, which controlled the rights to all of the roughly 700 recordings Elvis had made by then. It meant that Presley waived his rights to all future royalties for just $5.4m, which left just $1.3m after Parker’s cut and taxes. When Elvis died in 1977, the estate was generating an income of just $1m a year, almost half of which was swallowed up by the cost of maintaining his famous home, Graceland.
Lisa Marie Presley
All that meant that when Presley unexpectedly passed away aged 42, his estate was said to have assets of just $5 million – as well as to be in serious debt, which had to be paid off. In his will, Elvis had named his father Vernon, his grandmother, Minnie Mae Presley and his only child, Lisa Marie, then only nine years old, as beneficiaries of the trust containing the rest of the funds. Vernon and Minnie Mae died quickly, and Lisa Marie became the sole heir and beneficiary.
Because his daughter was still young, Vernon’s will had passed the responsibility for the Trust to Lisa-Marie’s mother Priscilla and an accountant and a Memphis bank to oversee the estate until 1993, when Lisa Marie would turn 25. When she came of age, the estate was worth far more than that – largely due to good management by her mother. By that time, Lisa Marie would already have a very busy showbiz life: she married Michael Jackson in 1994.
Priscilla Presley
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Even though she wasn’t named in his will, it was Priscilla Presley who can take huge credit for making Elvis’s legacy the financial behemoth it is today. In 1981, she established Elvis Presley Enterprises Inc (EPE), and the following year opened Graceland as a public attraction. It has been a huge success, with more than 500,000 visitors each year, and $10m last year.
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Priscilla is the subject of great fascination: a new film by Sofia Coppola details her life meeting the huge star at just 14 years old. She’s still alive today at 78, and is a great ambassador for the Presley brand, despite suffering personal tragedy, including the death of her daughter and grandson.
Barry Siegel
Thanks to good management, Lisa Marie got $100m in 1993. When she received the cash, she created a new vehicle to hold her interests, the Promenade Trust, with herself as the primary beneficiary. And Priscilla and a business manager, Barry Siegel, as trustees. But Lisa Marie spent unwisely, buying property in Hawaii, California and Britain – as well as running up large tax debts.
Partly to help with the debts, in 2005, Siegel sold off 85 per cent of EPE to an entertainment company called CKX Inc, led by an investor Robert Sillerman, in exchange for $50m in cash and $25m in CKX stock. The Promenade Trust retained 15 per cent of EPE, and sole ownership of Graceland.
In 2013 Sillerman sold on EPE to a company called the Authentic Brands Group, giving them the rights to licensing and merchandising Elvis’s name and likeness – the company which has now made the hologram experience. In 2016, Sillerman’s company went bankrupt, meaning the cash in the trust was largely gone.
Lisa Marie then filed a $100 million lawsuit against Siegel, accusing him of taking too much money out of EPE. In response, Siegel counter-sued Lisa Marie for management fees. The case was settled out of court. Lisa Marie then died in early 2023, leading to yet more financial confusion.
Riley Keogh
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Enter Elvis's granddaughter, actress Riley Keough. In 2016, Lisa Marie had changed the Promenade Trust, removing Priscilla and Barry Siegel as trustees, and replacing them with two of her four children, Riley and Benjamin Keough. In 2020, Benjamin, a musician, took his own life at the age of 27.
That meant when Lisa Marie died suddenly a year ago, it left Riley as the only trustee of the entire Presley Estate. But she wasn't entirely unchallenged: after Lisa Marie's death, Riley's grandmother Priscilla tried to argue that the 2016 amendment was potentially fraudulent, and couldn't have been the work of Lisa Marie. That case was resolved in May, with Keough agreeing to pay $1m, as well as large legal costs in return for Priscilla resigning from the Trust. Priscilla also remained as a paid special adviser to the trust, but it left Riley as the main heir to the Elvis legacy.
Authentic Brands Group
While Keough is the family face of the trust, it's Authentic Brands Group (ABG) which continues to own 85 per cent of Elvis Presley Enterprises. ABG's website describes its mission as to "evolve, transform and reimagine global brands", and their portfolio includes Brooks Brothers, Nautica and Reebok, as well as personalities both alive and dead, including David Beckham, Marilyn Monroe, and Muhammad Ali.
In 2021, EPE made $110m, partly helped by the Baz Luhrmann biopic. Who is to say what they could make for Riley Keough from their latest hologram venture?